Next time you practice a song do this:
Any oddities in how you are approaching the phrasing will stand out WAAAAAAAY more when you do it in slow motion. It will sharpen your ear and help you understand how to get your delivery sounding way better.
Check out the video, I give an example of how to do all of this.
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Are you stuck with the whole "bridging chest voice to headvoice" thing? đ€
Maybe you can't do it. Or maybe you CAN do it...but what you've found is that you can't actually use it in real songs...
What's going on? đ€·ââïž
I'm going to show you why and what you've been missing.
There are actually TWO "headvoices" đł
And you've never been shown the one you should be doing!
This is going to be too weird to explain in text so make sure you watch the video!Â
âIf this resonates with you and if you're struggling with your voice and want me to personally guide you through the entire singing journey then let's work together!
We'll have an introductory call together where we'll discuss your struggles and goals, then I'll show you the roadmap of where we'll go if you decide to move forward with mentorship. At the end of the call if it's a good fit you'll be able to enroll and we can officially get started together! đ€ Please only apply if you're serious about moving forward!
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Singing isn't just about waiting for the "right moment"âitâs about being prepared to bring your best at any time. Whether you're on the spot or in front of a crowd, you have to be ready to deliver with confidence.
When you're holding a massive note (like in This Is the Moment), the key is control, not just lung power. Paul absolutely crushed that long-held note, but the real test comes right before the final high F.
Itâs not just about holding the note for 20 secondsâitâs about sounding effortless while doing it. If you master the transitions, youâll own the final note every time. đ„
When you're singing crazy high notes (like hitting that F#5 in "Thunderstruck"), you need enough volume to keep the tone full. If your sound thins out, it's often because the upper resonance isn't kicking in properly.
When you get it right, you feel it instantlyâthe sound is fuller, the harmonics are richer, and the note rings out effortlessly. Compare your takes, recognize where the power drops, and adjust.
Once you lock in that power, your high notes will sound absolutely wild! đ€đ„
When you hit a high note and it feels easy, thatâs when you know youâre doing it right. Instead of forcing the sound, you want to find a balance between power and looseness.
If something feels a little off, record the line again and listen back. Small tweaks in tone and placement can make a huge difference.
When mimicking a tone, donât over-squeezeâthat tension can lock up your voice. The trick is to stay relaxed while keeping the sound full. Notice how the best singers sound powerful yet effortless at the same time? Thatâs the goal.
Most singers, when trying to soften their voice, simply lower the volume. But when you do this, your voice collapses into an airy, unstable falsetto. You might try smoothing out the transition between falsetto and chest voice, but that still leaves you with a weak and unstable sound when singing high.
Instead of just backing off the volume, you need to soften your voice while keeping it solid.
When done correctly, youâll notice your high notes come out effortlessly, without strain or excessive volume. This technique allows you to sing softly but powerfully, maintaining stability across your range.
Many people believe that if you want to sing high notes, you need to be born with a naturally high voice. But thatâs simply not true. My own voice is naturally quite low, yet through training and development, Iâve been able to sing incredibly high songs with ease.
Thereâs a common misconception that singing ability is something you either have or donât have. But the reality is that vocal range can be expanded with the right techniques. Even if you have a lower voice, you can absolutely learn to hit those high notes in their original keys.
The goal isnât just to force your voice higherâitâs about growing your vocal capabilities so that your voice works with you, not against you. When trained properly, your voice will no longer feel like a limitation but a tool that helps you express yourself freely.
If you want to learn how to dev...
For years, vocal coaches told me that if I wanted to sing with power, I needed to transition into my head voice and then strengthen it over time. They would say, "Just learn to smooth it out," but no matter how much I tried, it still sounded like falsetto.
What truly made my voice seamless wasnât focusing on head voiceâit was learning to strengthen my chest voice and stay in it. Instead of my chest voice cutting off early, getting stuck around F4, I trained myself to carry my chest voice higher safely and with control.
By keeping my chest voice connected and properly supporting it, I was able to not only sing higher notes cleanly but also add grit and distortion without straining. Even my screams come from a strong, supported chest voice rather than just pushing my head voice.
Once you ...
At first, developing mixed voice can feel frustrating. Your chest voice might seem weak, and as you sing higher, you may feel like youâre hitting a wallâforcing you to either flip into falsetto or struggle with a break.
Many vocal coaches online will tell you to âsmooth out the vocal breakâ or âtransition into mixed or head voice.â But the real solution is different.
The key to achieving a powerful, seamless range isnât about escaping chest voiceâitâs about developing it. As your chest voice gets stronger, it stops getting stuck. Instead of jamming or breaking, it continues upward effortlessly.
When trained correctly, youâll be able to take your chest voice highâwhether singing loudly, softly, or somewhere in betweenâwithout cracks or strain.
Mixed voice isnât a magical vocal setting; itâs the result of building your chest voi...
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