Before training with Phil, I was convinced that I was anatomically incapable of singing above a G#4 in my chest voice without strain! And although it’s an ongoing journey, I am now getting up to B4 and high tenor C5 with increasing consistency and relative ease!
I’ve always felt that my voice was rigid and inflexible, and that the only way for me to sing well was to belt out those notes. Phil is showing me that this needn’t be the case, and I’m now starting to discover a flexibility and freedom in my voice that I’ve never felt before.
I have tried lessons with several singing teachers over the years, and have been extremely frustrated at my lack of progress. When I saw and heard Phil explain his background and the vocal struggles that he had overcome, it resonated with my own experiences, and I felt that he could help me where no one else has been able to...and he has!
Before working with Phil, I really felt that I had plateaued in my vocal...
Since training with Phil Moufarrege, my range, vocal strength and stamina have increased a ton. I feel much more in control of my voice and can confidently sing notes I would have been nervous to even attempt when I first started. I also learned a lot about how my own voice works; I know how to easily access my mixed voice and understand the muscle coordination required as I sing in different ranges.
Before I started training with Phil, I couldn’t sing above an A4 and had a very harsh singing tone. Now I can sing seamlessly past my break and well into the next octave with more strength, compression and accuracy.
I used to have a very unbalanced voice, muffled in one part of my range and too much of a choked nasal sound in another. My voice is now much more consistent and smooth through all ranges. These were problems I couldn’t even hear in my own singing when I started, and never would have fixed had Phil not picked up on them.
I chose Phil as my teacher because I was...
If you're a singer who has been stuck with a limited vocal range, or suffers from going hoarse after every practice session then I think you'll enjoy this singing transformation.
Brian Zhu is a singer who started Skype lessons with me about 9 months ago. He creates cover songs and originals on YouTube and always felt like the main thing holding him back was his voice. Since studying with me, he's increased his vocal range, clarity and vocal stamina greatly within a short period of time. I'm looking forward to seeing his channel evolve over the coming years.
I started singing a year ago, and I've been extremely fortunate to have Phil as my first real vocal coach. I'd been looking on YouTube for singing tips for quite some time and ran across one of Phil's videos. The way he broke down how the voice functioned in a clear, systematic, and easy to understand way instantly drew me in. His no B.S, logical, and straightforward teaching style is something that seems...
For about a year or so, I’ve been studying singing regularly with Phil Moufarrege. I can now sing with far more ease than ever before. He's taught me how to sing without strain through my vocal bridges in full voice, how to avoid the anxiety and negative thoughts that I have always battled, and how to love my voice so that I can keep improving.
Before meeting Phil, I had been training singing for nearly 1 year with other teachers face-to-face. Although the lessons helped me get started, they could never diagnose the issues in my voice or tell me how to avoid cracking and flipping into falsetto. They'd just tell me “sing LOUD!” and I would end up just yelling and my throat was in pain all the time. I was always just pushing...never singing.
I knew that there must be a way to fix this so I searched online and saw Phil on Youtube and contacted him immediately. I saw immediate results from only taking 1-2 lessons with him.
He can hear every little...
If you're struggling with vocal nodules or fatigue through your sets and don't have the vocal range, ease and consistency you used to have then I can help you get it back and better than before.
Vocal nodules are basically the "end result" of consistent irritation to the vocal cords. Prolonged misuse of your voice can lead to swelling of the vocal cord. Constant misuse at this point can eventually lead to a callous/growth on the vocal cord which we call a nodule. Swelling or nodules can interfere with how your vocal cords work, which make hitting notes harder and more risky. Because of this, the instinct will be to try and "force" your voice to behave, the only way to do this being through constriction. It might help you hit the note, but you'll irritate the voice even more.
There are many pro singers who have dealt with this, probably the most famous of them being Freddie Mercury (I talk about how his vocal nodules affected him here).
So if vocal...
In this singing transformation you're going to see how Quentin dramatically improved his voice, through Skype lessons with me.
Before studying with Phil, I felt like just a typical average singer stuck with my vocal range and tone. My voice sounded OK but nothing special.
I was in a rock band at the time and always wanted to sing like Ronnie James Dio or Chris Cornell, but I couldn't sing any of their songs and had to sing all the high parts in falsetto. Singing Dio in falsetto doesn't sound cool.
I took singing lessons with other teachers first, and while they helped me to an extent, my vocal range was still limited. I felt like I had two different voices and was unable to connect them. I lacked confidence with my singing because all my energy was focused on my singing technique - so I'd do weird things live because my technique didn't match my ambitions.
The most frustrating was recieving feedback like "Your...
Is weightlifting bad for singing? Depends how you're doing it. In the video above, I share some tips that you can implement so that your weightlifting doesn't negatively affect your singing voice.
The common belief is that weightlifting will stiffen you up and create tensions in your body that will negatively affect your singing. Can this really happen? Yes. But there is also a way of lifting weights where you can avoid this problem.
There is a lot of dogma and "black and white thinking" in the singing community. Statements like "weightlifting is bad for your voice!" or "milk is bad for your voice!" etc. are way too simplistic to be truthful. We have to go deeper.
Yes weightlifting CAN have a negative affect on your singing. If you are not careful of HOW you lift weights, you can develop tension patterns particularly in the jaw and throat which can encourage you to that same kind of constriction when you go to sing. If you get...
Are you afraid of being judged by others when singing? Does it feel difficult to learn singing when you're surrounded by peers who make fun of your voice instead of encouraging or helping you?
"It feels like being a fat person at the gym who's trying to get in shape and instead of people cheering you on, they simply laugh at you for trying to make yourself a better person."
That's how one singer described his story about being bullied and judged for his singing. You can really feel his pain.
Then he goes on to say:
"I see this happen all the time to people. Makes me feel sad. Happened to me so much before. It impacted my life growing up. Made me discouraged sometimes. It's really stressful when someone bullies you just because you don't know how to sing high. Why don't they try to help instead of put me down?
Feels like a competition on the internet these days. If you can't sing high then you're out of the club. Everyone wants to sing high but I just want...
Welcome to PART 3 of my HOW TO SING PAST YOUR BREAK series. In this video we'll talk about how to mix chest and head voice and how you should go about doing this.
Here are the links to the previous videos in this series:
In Part 2 I mentioned how there IS a time and place for bridging from your chest voice into your falsetto smoothly. I say falsetto because most people when they talk about crossing from chest to head voice are REALLY talking about a non-breathy falsetto. I talk more about this in part 1. Check it out.
Anyway, the main thing I want to say is this:
You don't build mixed voice and high ranged full voice by just crossing from chest voice to falsetto and "smoothing the break". I mentioned there is a place for this, but it's a supplement. It's not a finished...
Welcome to PART 2 on how to get rid of the vocal break. Let's recap what we covered in PART 1:
If you haven't seen PART 1 of how to sing past your break, then check that out first here.
Now that we’ve gotten the terminology out of the way, in today’s video I’m going to show you the actual process on how to get rid of the vocal break. How exactly is it done? What sorts of sounds will you need to do? That’s what we’re going to talk about today.
The biggest thing I want you to know right away is, we don’t actually wanna sing "around" our vocal break by leaving chest and going into falsetto and trying to "trick" the audience into thinking we're still in chest... We want to ELIMINATE...